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Origen on the Song of Songs As the Spirit of Scripture The Bridegroom's Perfect Marriage-Song by J. Christopher King, Member of the Bishop's Staff, Episcopal Diocese of New York


About this book :

Christian exegesis of the Song of Songs has long interacted creatively with -  and, more
recently, reacted critically against - the allegorical interpretation developed by Origen of
Alexandria (c .185-c .254)  in his Commentary and two Homilies on the Song of Songs.
Interest in Origen's exegesis of the Song's narrative elements has dominated past 
scholarship, which has almost entirely ignored how Origen assesses the Song itself, in its
unity as a revealed text. This study aims to show that the Commentary and Homilies -
when read in light of Origen's hermeneutic, his nuptial theology, his understanding of the
prophetic mediation of inspired texts, and his doctrine of last things - clearly portray the
Song of Songs  itself as the divine Bridegroom's perfect marriage-song. As such, it
mediates Christ's  eschatological presence, as the `spirit' of Scripture, in and through the
intelligible structures of the text itself.
 
Contents :
            1. Introduction
            2. Origen and the spiritual reading of the Song of Songs
            3. Origen, the nuptial motif, and the Song of Songs
            4. Origen's grounds for the wholly spiritual reading of the Song of Songs
            5. Origen on the hermeneutical unity of the Song of Songs
            6. Origen on the hermeneutical finality of the Song of Songs
            7. Conclusion: the Song of Songs as the spirit of Scripture
 
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